Friday, November 21, 2014

Leviathan: Every Day I'm Reapin' It

Let us now to Dr. Bryson's lab.

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Also, this crap happens:

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Seriously, there's no ingame explanation. Maybe Vega got lonely?

Bryson's got an idea, let's hear her out.

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gurl act like you ain't transparent

Okay, let's make this happen.

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Leviathan hops into Ann's head pretty quick.

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That legit looks like Vega is buttfucking Ann, and I apologize sincerely.

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Actually, there's a renegade interrupt here, you can let Leviathan keep doing his thing and EDI can narrow it down all the way, but it's seriously not that hard to just search on your own in the Normandy.

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Also, it, you know, spares Ann severe head trauma. According to the wiki, if we lay off Ann, she'll become a war asset later, so we'll go easy on her.

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... what the hell does that even look like? Do they bring her to Chawkwas?

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So anyway, because EDI couldn't narrow down Leviathan's location, we have to go scanning for it. Let us now discuss scanning.

On the galaxy map, Shepard can roll around the map and send out signals with the Normandy.

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If you're lucky, you'll get a hit and usually grab a war asset (or, in this case, Leviathan's location.)

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However, the reapers can hear the signals the Normandy sends out.

I swear to hell it goes down like this.

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"How the hell do I draw a reaper texting?" I asked myself, realizing that sometimes I have to solve problems that the Bioware art department doesn't.

So anyway, the reapers roll up on the Normandy. Seriously, if you're good, you can get like ten reapers just in your crack.

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If they catch the Normandy, the game will toss you a game over, so you'd better drive.

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It's not hard, but you can't really screw around either.

The most important part is to sing the reaper song while you do this. To the tune of Every Day I'm Hustlin', by Rick Ross:

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